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Take the same approach for portraits of animals and plants as you do for portraits of people. At close distances, only a small part of the subject will be sharp, so care needs to be taken with focusing. Frames can be actual frames, such as shooting through an open door or a window, or implied, such as the branches of a tree. They can also be diffuse — try positioning the camera close to flowers and shooting a subject beyond them to add a soft, colourful frame.

Use Manual mode so that the settings stay locked in on the camera, and base your exposure on the brightest part of the scene. Finally, switch on the flash and use this to brighten up the darker areas of the scene for a balanced result. So three is not a crowd Many cameras enable the viewfinder sharpness to be improved using a feature called dipotre adjustment. Keep an eye on the readout in the viewfinder rather than looking at the image as you make any adjustments.

You can set the playback display to flash a warning for highlights that are at risk of being exposed, which is a quick way to check exposure. Read more: How to always get your exposure right. For sharp shots, you need a fast shutter speed. To guarantee this, use Shutter Priority, dialling in your preferred shutter speed, and switch to Auto ISO; the camera will adjust the aperture and sensitivity according to the light.

Shooting in Aperture Priority mode enables you to control the depth of field as well as the exposure. I also want quality of light, although in saying all of the above, I still want it to look realistic and natural. What tip or piece of lighting kit would you recommend for someone who is just getting started? When things have gone wrong I have lit major shots with just one flash head with a brolly.

Looking at getting into studio flash? What is it? What encouraged you to start using studio lighting? What specific qualities or advantages does it give you? What encouraged you to start using portable flash? Describe your preferred portable flash lighting setup Big and powerful! The piece of lighting kit I would recommend is a small brolly. Thank you for subscribing. Something went wrong, please try again later. Information for Calumet Customers Read article. Selected type: E-Book. Added to Your Shopping Cart.

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Improve your photography with more than lighting tips from a top photographer Written by Canon Explorer of Light Rick Sammon and leading fashion and studio photographer Vered Koshlano, this guide is packed with professional advice on the essential element of photography: lighting. Explores the basics of studio lighting in various situations Features more than lighting tips and secrets for planning and taking the most impressive digital images in the studio Compares available camera equipment, accessories, software, and printing options Covers post-shoot digital darkroom techniques and workflow tips and tricks Companion DVD includes advice on making the most of accessories such as diffusers, reflectors, and accessory flashes Written by two top professional photographers and illustrated with full-color examples Studio and Location Lighting Secrets provides information from the pros to improve your photograpic skills.

About the Author Rick Sammon is among a select group of professional photographers to earn the designation of Canon Explorer of Light. Famous for his exotic travel photography, Rick has written more than 30 books and gives photography workshops and seminars worldwide. Permissions Request permission to reuse content from this site.

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Table of contents About the Authors. Part I: Studio Starter Kits.

Basic Home Studio. Basic Hot-Light Kit. Basic Strobe Kit. Simply Beautiful. Garage Glamour. Part II: Our Lenses.

Lighting Techniques for Photography: Books

Love Those Longer Lenses. Studio Lighting and Lens Lineup. Modeling Light and Fun Photos. Favorite Lens for On-Location Portraits. Favorite Lens for Environmental Portraits. Shoot Horizontals and Verticals. Get Close and Closer.

Art Photographic Lighting – FMU Photo

Bank on Professional Backgrounds. The All-Important Background. Contrasting Colors vs. Tone on Tone. Props Pay Off. Shooting a Composite. Finding and Working with Models. Overcome Meter-Challenging Exposure Situations. See Light in the Eyes. A Word on Eyeglasses. Photographing Shiny Objects. Low Key versus High Key Lighting. Play with Light Placement. Dramatic Hair Light. Work Hard at Creative Lighting. Tips for Baby Shots. Balancing Act. Test, Testing, Testing. Repositioning the Flash. Add an Eff ect for a Creative Portrait.

Part V: Hooked on a Feeling. Create a "Look".

Make Eye Contact … or Not. Go For a Total Transformation. Master Makeup. Understand Body Language. Part VI: Oh, the Details.


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Watch the Hands. Notice the Nails. Pay Attention to the Nose. Watch the Lips. Gain the Model's Trust. Good Production Trumps Lighting.